Tim Key, age undetermined, is back at the Edinburgh Fringe, with a concert just for us – it’s all for us, he’s keen to remind ...

Artificial intelligence, comedy gatekeepers, the podcast industrial complex and his own ambitions – Luke McQueen tackles ...

Welcome to the wonderful and frightening world of Andy Barr. At times unhinged, at others plaintive, at times manic, at ...

It’s when she moves into the real heart of her show, pondering the death of her father and how life can continue after loss, ...

Sophie Power's show – breaking down barriers around the body, pleasure and fear – is clown as exposure therapy.

It makes for an electric atmosphere and a classic piece of Fringe mayhem.

Tongue firmly in cheek, Petts mourns the loss of the tabloid favourite, Page 3, nostalgic for those days of big tits and ...

If Williams is to be believed, the headlining transgression occurred five weeks ago, which is testament itself to how quickly he can pull together such a tightly orchestrated show. The delivery is ...

Toussaint Douglass' debut Fringe hour promises accessible pigeon material and it is duly forthcoming, with choice titbits including the story of Winkie, the pigeon who won a medal in the Second World ...

Kolbrún Björt Sigfúsdóttir's innovative at-home experience Deliverance is an innovative exercise in reflection.

Catriona McFeely delivers a stellar performance throughout. With no set, diegetic sound or music, apart from her singing, she commands attention from the moment the audience steps foot in the room.

Canada-based Iranian filmmaker Abdolreza Kahani takes home the £50,000 Sean Connery Prize for Feature Filmmaking Excellence for Mortician, a tragicomic drama he shot on his iPhone.