Sarasota Opera will gather for its annual Salute to the Stars Awards Luncheon on Tuesday, March 24 at 11:30 a.m. at the Sarasota Yacht Club to celebrate and honor this season's outstanding Sarasota ...

A world premiere based on a graphic novel and two first-time productions make up the newly announced Minnesota Opera 2026-2027 season. “We view programming a season as an act of stewardship,” said ...

Broadway Loves MSC, initially postponed due to a severe NYC snowstorm, has been rescheduled. This special event, set to occur at the Manhattan School for Children Auditorium, aims to support arts ...

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Masquerade is a new immersive theater reimagining of The Phantom of the Opera---here's our review of this NYC adventure. The post MASQUERADE Review: Immersive PHANTOM OF THE OPERA Is a Quintessential ...

Like sands through the hourglass, so are the screams of our lives. The arrival of the soapy “Scream 7” is a rare example of a 1990s cultural artifact that has survived, though its pulse is weakening.

Universal Monsters: Phantom of the Opera #1 comes to readers from the team of Tyler Boss and Martin Simmonds. The two of them combine their considerable talent to give readers a breathtaking new ...

Almost a decade later, the curtain went up first in Glasgow then in Edinburgh for the world premiere of this brand-new work, the third collaboration between Fujikura and librettist Harry Ross. A ...

Herod (WIll Upham) discovers some less-than-paternal feelings for his beautfiul stepdaughter Salome (Joanna Parisi). Courtesy West Bay Opera. West Bay takes one of the more provocative creations in ...

Review: In Brooklyn, an Opera’s Underbelly Revealed Jules Massenet’s classic work received a streamlined English adaptation from Heartbeat Opera, with musical-theater performers and a focus on the ...

Choreography for the chorus - vocally fine when singing a cappella, sometimes lost in sync with the orchestra - is by Lizzie Gee, too innocent and clunky (it worked for G&S). Two dancers doubling as ...

“Carmen” is just about the last opera one would think of as homoerotic, yet this is the vibe of this Paris production; it’s haunted by the male body as object of desire. Other adjectives used to ...