MATANZAS, Cuba (AP) — A man in a white guayabera approaches a woman and stretches out his hand, palm up, inviting her to dance. She stands up and waves her fan. On the dance floor, they get closer.
The Cuban rhythmic roots of percussionist Roberto Juan Rodriguez’s, El Danzon De Moises (Tzadik), are not in Afro-Cuban bongo/conga stylings. They lie instead in the statelier Euro-Cuban danzon and ...
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