Right from the outset, indeed, beginning with the overture, this new production of Orfeo ed Euridice, staged by Matthew Ozawa and choreographed by Rena Butler, strikes boldly at the heart of this ...

The composers of earlier centuries would have a good laugh if they could see the reverence we accord to historical fidelity. In their day they would happily serve up earlier works afresh, chopping and ...

In an episode from Mad Men (another excellent piece of art dating from 2007), Roger Sterling says it is particularly American to want a “tragedy with a happy ending.” Gluck’s Orfeo ed Euridice might ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick The countertenor Anthony Roth Costanzo stars in a revival of Mark Morris’s witty, sensitively choreographed production. By Anastasia ...

He works in mysterious ways.

For more than seven decades, the Metropolitan Opera Radio Broadcasts have brought opera into millions of homes, playing a vital and unparalleled role in the development and appreciation of opera in ...

Gluck's Orfeo ed Euridice: which recording should you buy? Gramophone Monday, October 5, 2015 Orfeo ed Euridice, the opera in which Orpheus placates the Furies with his lyre to rescue his beloved, ...

Donald Macleod explores the life and work of one of his operatic favourites, Christoph Willibald Gluck. Macleod describes himself as "a huge fan" of the music of this week's Composer Of The Week, ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Recently, Susan T. Danis, General Director and CEO of Florida Grand Opera, ...

Gluck's Orfeo ed Euridice: which recording should you buy? Gramophone Monday, October 5, 2015 Orfeo ed Euridice, the opera in which Orpheus placates the Furies with his lyre to rescue his beloved, ...